Harry Dodge is a writer and visual artist whose work has been exhibited at venues nationally and internationally. His solo and collaborative work is held in numerous institutions, such as the Museum of Modern Art, NY; Hammer Museum, LA; and Museum of Contemporary Art, LA. His writing has appeared in Art Forum, The Paris Review, and Harper's. In 2017 Dodge was awarded a Guggenheim Foundation fellowship. He lives with his family in Los Angeles.
Fred Moten is Professor in the Department of Performance Studies, Tisch School of the Arts. He holds an A.B. from Harvard and a Ph.D. from the University of California, Berkeley. He teaches courses and conducts research in black studies, performance studies, poetics and critical theory. He is author of In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Hughson’s Tavern (Leon Works, 2009); B. Jenkins (Duke University Press, 2010); The Feel Trio (Letter Machine Editions, 2014), The Little Edges (Wesleyan University Press, 2015), The Service Porch (Letter Machine Editions, 2016), a three-volume collection of essays whose general title is consent not to be a single being (Duke University Press, 2017, 2018) and All that Beauty (Letter Machine Editions, 2019).