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The Art of Criticism: The People’s Madonna
Filmmaker Lucia Senesi grew up in Arezzo, Italy, within walking distance of several Old Master Madonnas. But it wasn’t until she was older—and viewing films by Andrei Tarkovsky and Valerio Zurlini, who were both captivated by the Madonna del Parto in Monterchi—that she saw these paintings with fresh eyes. Her essay in the spring issue of Image describes the fascinating history of a Madonna commissioned by peasants, executed by a Renaissance master, condemned by popes, and preserved through wars and social upheaval. She’ll talk with culture editor Nick Ripatrazone about film, the populism of sacred art, and the scandal of a woman pregnant with God.

May 5, 2021 05:00 PM in Eastern Time (US and Canada)

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