Doon Arbus was born in New York City and never really left. The author of six-nonfiction books, she makes her debut as a novelist with The Caretaker. She is also a freelance journalist: in her reportage work, she frequently wrestles with the hidden codes in a subject’s spoken language, its hesitations and reversals, allowing what the speaker seeks to obscure to become the revelation. Two of her non-fiction books, co-authored with longtime collaborator Richard Avedon, integrate her text and his photographs to craft a collision of words and images into single labyrinthine narratives. The fact that she has been responsible for the care and dissemination of her mother’s photographic work for the past fifty years could suggest that a book entitled The Caretaker might relate to the author’s personal experience, but the protagonist of this novel is a most singular man and his story is his own.
Hilton Als became a staff writer at The New Yorker in 1994 and a theatre critic in 2002. He began contributing to the magazine in 1989, writing pieces for The Talk of the Town. Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, The Women, was published in 1996. His most recent book, White Girls, a finalist for the National Book Critics Circle Award in 2014, discusses various narratives of race and gender. In 2016, he was a finalist for the Pulitzer Prize in Criticism.