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Taking a Neutral Approach to Value & Color with Joe Gyurcsak - Shared screen with speaker view
mia merlin
49:45
If it were a more complex drawing where you had to be precise with figures and perspective, would you have drawn more in pencil?
Ilene Rubin
01:24:58
how do you determine if the light is warm or cool when you're outside?
mia merlin
01:27:57
Do you choose your scenes because of their strong value range, or sometimes paint a scene when there is not much value contrast, or that it is mostly color contrast?
Pat Proniewski
01:29:56
Are you adding any medium to the paint or straight paint?
Cindy Sussman
01:32:31
I I see that this is being recorded, will the recording be available to us later?
Bette Sovinee
01:32:59
the link to the recording will be sent out sometime tomorrow.
Alex Holton
01:37:17
yes
Ilene Rubin
01:38:05
That looks like it's done!
Sarah Logan
01:49:29
If only you’d come to California for a workshop one day…
Ilene Rubin
01:53:10
Do the concepts of painting outside work for studio work as well, or for still life?