In the wake of global civil unrest following the brutal killings of Breonna Taylor, Ahmaud Arbery, George Floyd, Tony McDade, Atatiana Jefferson, Aura Rosser, Elijah McClain, and countless others at the hands of police in the United States, Black Lives Matter protestors and their allies have critiqued the anti-Black racism imbued in the erection and maintenance of Confederate historical monuments.
The legacy of social movements seeking to remove Confederate statues is longstanding. However, unlike in previous moments, what began as the forced removal of Confederate statues during protests has rippled to the removal of colonialist, imperialist, and enslaver monuments all over the world.
In this webinar, scholars and artists share their insights on the power of monumentality and the work they are doing to reconfigure historical markers.
LaVaughn Belle, Visual Artist
Nicholas Galanin, Tlingit/Unangax Multi-Disciplinary Artist
Dell Upton, PhD, Professor and Chair of Art History, UCLA
Tsione Wolde-Michael, Curator, Smithsonian-NMAH
Moderated by Tiffany Cain, PhD, Cotsen Postdoctoral Fellow in the Princeton Society of Fellows
Sponsored by the Society of Black Archaeologists, the Cornell Institute of Archaeology and Material Studies, SAPIENS, and the Wenner-Gren Foundation for Anthropological Research
CART captioning by Joshua Edwards