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1-54 Forum | RESOUNDING WAVES: on the making of sonic solidarities through radio
Description
Departing from their respective research projects Radio Earth Hold and we dreamt of utopia and we woke up screaming, in this conversation RACHEL DEDMAN and YASMINA REGGAD explore the formation of sonic solidarities across different regions and liberation struggles, carried out by and through radio, sounds, acoustics and acousmatics in Palestine, Algeria, and beyond.
Time
Feb 24, 2021 06:00 PM in
London
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1-54 Contemporary African Art Fair
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Hi there, You are invited to a Zoom webinar. When: Feb 24, 2021 06:00 PM London Topic: 1-54 Forum | RESOUNDING WAVES: on the making of sonic solidarities through radio Register in advance for this webinar: https://us02web.zoom.us/webinar/register/WN_IrtqEKJ0SgGKTVzFCSSC5g After registering, you will receive a confirmation email containing information about joining the webinar. ---------- Webinar Speakers Yasmina Reggad (Independent curator, writer, researcher and performance artist ) Yasmina holds an MA in Medieval History from the Sorbonne University and is the curator of aria (artist residency in algiers), which she co-founded. She previously worked at the Delfina Foundation and Art Dubai Projects. Reggad is the co-curator with Sam Bardaouil et Till Fellrath of the French Pavilion at the 59th Venice Biennale. As a performance artist, Reggad has recently staged the first two episodes of her project 'we dreamt of utopia and we woke up screaming,' a durational polyphonic and polyglot performance inspired by various radio genres and documentary theatre that activates the results of a long-term research on the unexplored archive of the radio of movements of liberation that voiced the struggles and hopes of the emerging 'Third World' of the 60s and 70s on the Radiodiffusion television algérienne (RTA). Rachel Dedman (Curator, writer, and art historian @V&A and Radio Earth Hold) Her work examines the material and political lives of things, and seeks to challenge established narratives around cultural production in the Middle East. She is currently Curator of Contemporary Art from the Middle East at the V&A, London, where she is curating Jameel Prize: Poetry to Politics in 2021. She is curating Material Power: Palestinian Embroidery for Kettle’s Yard, Cambridge, and the Whitworth Gallery, Manchester, 2022. From 2013-2019, Rachel was an independent curator based in Beirut, Lebanon, and Ramallah, Palestine, where she curated exhibitions and projects for Ashkal Alwan, Sursock Museum, Beirut Art Centre, apexart, and the Palestinian Museum, among others. She is co-founder and editor of polycephaly.net, and one third of Radio Earth Hold, a research and broadcast collective working on transnational solidarity through radio. Rachel was educated at Oxford and Harvard Universities, and her writing has been published by Ibraaz, Spike, e-flux, MacGuffin, and REORIENT.
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